Of course, you are asking yourself what this photo is all about. Well, if you haven’t skipped to the bottom and looked through the gallery yet, it is a mouth full of teeth. Not my original idea, I found it in one of the myriad of carving magazines lying around my carving space. This is a final post of a project shown earlier in 83 Big mouth 1 and 2. This is Big mouth 2 painted.
I didn’t want to make all the pictures large, but I thought at least these two would make a nice showing, giving the full effect of the piece. I really like the strong white on the teeth. It is acrylic white at full strength. I do like the softer blue for a hint of a hat and the natural red or umber of the unpainted wood for the face. Every piece teaches something for the next time. On this piece I would paint the gums a stronger red. Without it, there is some confusion about where the gum is and where the lip begins. Having said that, the piece is fun. Anyone interested in buying it? We can talk.
“Desire without knowledge is not good—how much more will hasty feet miss the way! ” Proverbs 18
One of the joys of wood carving is the opportunity to share things with family and friends. The three carvings shown here are in the collection of our oldest daughter. The first one shown began with an idea connected to a scrap of wood. I have always found it hard to throw away any scraggly, misshapen piece of wood. I recognize the problem. Most master wood carvers wouldn’t think twice about reaching for a large fresh chunk of wood for the next project. I, however, suffer from a smaller wallet and the need to be thrifty. So, each left over gets reviewed for potential carving purposes. This particular piece was a cutoff from a larger block being roughed out for a larger project. It is 12 x 3 x .5 inches. I like the coloration and how the moon/winter sun, as you like it, fits the piece. I scribed the moon on the back and did that first. Then I worked the tree in around the round moon. Snowman and lamp post came last. I was tempted to put white paint on the edges of the tree branches, but that would require painting the snowman and the rest of the piece white.
The nautical theme of these two pieces compliment each other. The lighthouse, top left, the sailboat hidden in the mist, and the ancient sailor are all done on cottonwood bark. The gorgeous cinnamon of the unpainted, exposed cottonwood shows up beautifully against the raw bark and painted sections. The carving on the left is done on a piece of cottonwood found in Michigan, a piece which had been bleached white in the sun after the tree had been struck by lightening.
“A friend loves at all times,and a brother is born for a time of adversity.” Proverbs 17
I just have to share a few photos of the Sequoias of California. It was a privilege and a blessing to walk among these great trees, grateful for their preservation and their beauty. I am only half joking about carving them. It would be grand to get some of this wood. I do carve cotton wood bark, so I had gone to the park hoping to be able to find a piece of Sequoia bark. After being there and touching one of the tree, I know better. The bark of these giants is spongy, made up of many small scales or flakes. I suspect it would not make a good base for a carving.
It is difficult to imagine trees this large, and then to imagine how much wood is in one. Not that I am in favor of cutting any of this beauties down, but, wow. I must say that, while the pictures are stunning, being in their presences is even better.
“Starting a quarrel is like breaching a dam;so drop the matter before a dispute breaks out.”
The pieces shown here are not done in wood. They are all clay. Home to them is a beautiful new museum in Tianjin, China. So what are these photos doing in a wood blog? Ideas, ideas, ideas. I love looking at how artists take the real world and make it in….you name it…clay, glass, plastic, fruit, yarn, paint, pencil, steel, junk, wire, string, paper, cloth. The variety is amazing, the talent, the creativity, stunning. The main character here has so many great details. Notice the tilt of his hat and the curl of the bill. No American teen could do it better. The shoes, both the one being repaired and his own, also have neat detail – thick soles, the kink of the leather, the stitching on his own, no laces. A wood carver could learn much from the angles of the limbs, head, and body. The fine details in the clothing – marks to indicate shadow or create shadow. And, we haven’t even begun to look at the two characters in the background. Enjoy. Would you share what details you find interesting in the others?
A gentle answer turns away wrath,but a harsh word stirs up anger. Proverbs 15:1
In a previous post, 96, I shared two pictures from my Uncle’s house, pictures of old fashioned roof lines on old fashioned houses. Here is one of the houses I have worked on. The thatched roof has a mountain home feel. The doors work well, even though they aren’t t he same. After it was completed I thought perhaps I should have put bigger windows on the back side. What do you think? I really like the shadows the deep cuts make in the base. The next carving has more details on the porch. Each carving brings ideas for the next. I would value seeing some of your carvings. Care to share?
Go to the ant, you sluggard;consider its ways and be wise! It has no commander, no overseer or ruler, yet it stores its provisions in summerand gathers its food at harvest. Proverbs 6: 6,7,8
Do any of you remember a childhood book entitled, “Burt Dow, Deep Water Man”? Author Robert McCloskey (http://www.robertmccloskeymemoir.com/) wrote about an east coast deep sea fisherman named Burt who ends up inside a whale in a gale. The story begins with Burt hooking a whooper, a whale. His tiny boat can’t hold the whale, so Burt removes his hook and patches the whales tail with colorful bandage. The story ends with Burt placing a colorful band-aid on the tails an entire pod of whales. You will have to read it to find out about the gale and the whale.
Of course, these photos are not part of Burt Dow’s story, but the whale here reminds me of McCloskey’s whales. And certainly this whale, with the notch out of one side and a knot in the other side of his tail might be able to use one of Burt’s bandages, or two or three.
But of course, this whale could be as friendly and helpful as any of the whales in McCloskey’s story.
I think the smile on this guy comes across really well. Of course, whales don’t smile, but if they did, this is what they would look like.
So, another whale. This one came out beautifully. While cedar is not the easiest wood to work with, an acrylic wash has allowed the cedar wood grain to pour through adding another dimension of texture to the piece. The whale is a stylized blue whale. The piece about 12 x x 4 without the base.
The base is a piece of lake drift wood. Some color has been added to give the feel of ocean floor. The colors seem a bit intense in these photos, but when the piece is sitting on a counter or mantel the colors come through more subtly. The mounting, at angle, gives the piece a little more movement. I really like the last picture. The shadow and light make for a happy face.
This whale is now part of the collection of Mr. Rick Buteyn.
“It is not good to be partial to the wicked and so deprive the innocent of justice.” Proverbs 18:5
I am always looking for carving ideas. Now that I almost always have an iPad with me it is easier to capture some of them quickly. This photo hangs in a hallway in my Uncle Georg’s house in western Germany. What caught my attention was the roof lines and the texture the artist shows us. Having done many roofs, what I note is shapes and shadows. Also, on the building to the right, my eye is caught by the strong line near the top denoting the final layer of thatch. The question is then, how can that be replicated in wood. Which tool works best, what will be the most efficient way to make those cuts. For anyone who has not carved, part of the issue is the direction ones cut, up from the bottom of the roof or down from the top. Experimental cuts need to be made to determine what happens to grain wood, how the grain reacts.
Sorry about the quality of this photo. However, for my purposes, this is good enough. What is appealing to me is the roof lines of the buildings, how they sit together, the shadows, and how the artist has created texture. While the photo is fuzzy, the relationship between the buildings is strong enough to be appealing. Hope you have some ideas to share. Or, if you use some ideas from these pictures I would love to see them.
Comfort, comfort my people says your God. Isaiah 40:1